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Released in 1956, Eames Lounge Chair was the first chair that Charles and Ray Eames designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York s Museum of Modern Art. Our modern versions are definitely not “copies”, but there are enough similarities in the steel base style and segmented bodies to imagine they could be distant relations.
The History of the Eames Office Chair
Charles and Ray Eames remain amongst the greatest designers of the modern era. True polymaths, they created groundbreaking films, buildings and textiles. In furniture, they produced iconic designs that combined sleek aesthetics, major technical achievements and, above all else, comfort. Many designers have since taken their iconic work as inspiration, spinning all sorts of stylish, innovative and comfortable chairs. Amongst the Eameses most famous designs was the Aluminium Group, commonly known these days as Eames office chairs.
The design was born out of a challenge set almost sixty years ago. The Miller House is now a National Historic Landmark, but in the mid-1950s it was a building site. The house was to be the epitome of modern design and its interior uncluttered, but homely. Girard was a long time collaborator of the Eameses and asked them to design high-quality seating that could be used both inside and outside the house.
Lounge Chair, todo un clásico
Como muchos diseños de muebles de los Eames, el Lounge Chair ó la Club Chair “Nº 670” fue el resultado de un proyecto anterior realizado en colaboración con Eero Saarinen en 1940, cuando ambos participaron en el “Organic Desing in Home Furnishings” del MoMA de Nueva York, con la Womb Chair. Era una pieza que cumplía todos los requisitos en cuanto a funcionalidad, era un sillón de de estética moderna, que ofrecía el confort de los modelos tradicionales.
The Eames Lounge Chair – book from BIS Publisher
The first comprehensive case study of an American design classic from the previous century: the Eames Lounge Chair. To commemorate the fiftieth anniversary of the legendary armchair and matching footstool, an impressive team of design experts have studied this revolutionary design. The result is a wealth of fantastic visual material and very readable discussions on the cultural, design, historical and social context of The Chair. The Eames Lounge Chair originated in 1956 as a result of experiments the distinctive Eames husband and wife team undertook during and after the war in modelling three-dimensional plywood. In 1940, Charles Eames together with architect Eero Saarinen took part in a design competition held by the MoMa
in which their plywood chair won first prize. They translated the technical expertise gained in the war with the manufacture of leg splints into even more advanced furniture design using the same material. The Lounge Chair produced by Herman Miller and Vitra with its rosewood veneer and black leather upholstery turned into a status symbol. The chair evolved to become the height of luxury and comfort and one of the most important design icons. A square, lavishly illustrated book full of curved seats and back rests – lots of chairs! – and never before published sketches and exploded construction views of the Eames Lounge Chair. A marvellous book for industrial designers and all aficionados of timeless design.